Fascism rarely makes a dramatic entrance. Typically, it begins with a seemingly minor character—Mussolini in a crowded cellar, Hitler on a street corner—who steps forward only as dramatic events unfold. The story advances when the opportunity to act comes and Fascists alone are prepared to strike. That is when small aggressions, if unopposed, grow into larger ones, when what was objectionable is accepted, and when contrarian voices are drowned out.
Madeleine Albright in Fascism